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Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
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Yellow Landing Lithograph | James Rosenquist,{{product.type}}

Yellow Landing

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James Rosenquist

James Rosenquist

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American (1933–2017)

  • Date: 1974
  • Multicolor Lithograph and Screenprint on White Arches Cover
  • Edition of 11/86
  • Size: 32.5 in. x 75 in. (82.55 cm x 190.5 cm)
  • Frame Size: 37 x 80 inches
  • Printer: Styria Studio
  • Publisher: Petersburg Press
  • Reference: Figure 72 in "Time Dust: Rosenquist, Complete Graphics: 1962-1992" by Constance W. Glenn, Published by Rizzoli, New York, page 143

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Framed

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about Yellow Landing

A monumental print by Pop Artist, James Rosenquist.

Very nicely framed.   

Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
Yellow Landing Lithograph | James Rosenquist,{{product.type}}
1 / 6

About The Artist: James Rosenquist

James Rosenquist was born in Grand Forks, North Dakota in 1933. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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Yellow Landing

James Rosenquist

1974

Framed

Yellow Landing

James Rosenquist

1974

Please think of the trees and save to pdf not paper.
Phone 800.888.1063 or 718.937.0901

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