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Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
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Untitled Etching in Green

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Mark Tobey

Mark Tobey

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American (1890–1976)

  • Date: circa 1970
  • Etching, signed and numbered in pencil
  • Edition of 109/150
  • Image Size: 11 x 14 inches
  • Size: 20.25 x 26.5 in. (51.44 x 67.31 cm)
  • Frame Size: 21 x 27 inches
  • Publisher: Transworld Art

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about Untitled Etching in Green

Mark Tobey was an American Abstract Expressionist.

His dense compositions were made using Chinese brushwork and calligraphic strokes. This print is signed and numbered in pencil.

Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
Untitled Etching in Green Etching | Mark Tobey,{{product.type}}
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About The Artist: Mark Tobey

Although he was not immediately recognized, Mark Tobey was the pioneer in blending elements of occidental and oriental art in his low-key, mystical, calligraphic paintings, which he termed "white writing." For all their quiet unpretentiousness, his works had an impact on much of what followed in modern American art-in particular, the explosive energy of abstract expressionism. Tobey was born in Centerville, Wisconsin in 1890. As a young man he...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Untitled Etching in Green

Mark Tobey

circa 1970

Framed

Untitled Etching in Green

Mark Tobey

circa 1970

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