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Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
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Code of Faces I

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Victor Brauner

Victor Brauner

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Romanian (1903–1966)

  • Date: 1962
  • Etching, signed, numbered, and dated in pencil
  • Edition of 7/60
  • Size: 26 x 19.7 in. (66.04 x 50.04 cm)
  • Frame Size: 30.25 x 25.75 inches

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Framed

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Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
Code of Faces I Etching | Victor Brauner,{{product.type}}
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About The Artist: Victor Brauner

Born in Rumania, Victor Brauner settled in Paris in 1930. He was close to Brancusi, Giacometti and Tanguy and soon joined the Surrealist group; for André Breton, he was to be the ‘magic’ artist par excellence. A painter of premonitions, he could also be subversive and ironic. He created unusual, obsessional images and chimerical creatures combining nature’s different kingdoms. During the war years he was obliged to use...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Code of Faces I

Victor Brauner

1962

Framed

Code of Faces I

Victor Brauner

1962

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