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La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
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La Hamaca (The Hammock)

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Alfredo Zalce

Alfredo Zalce

$1,200

Mexican (1908–2003)

  • Date: 1947
  • Etching on paper, signed, numbered and dated in pencil
  • Edition of 82/200
  • Image Size: 8 x 12 inches
  • Frame Size: 15.5 x 19.5 inches

$1,200

Framed

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about La Hamaca (The Hammock)

Alfredo Zalce was a Mexican artist whose work commonly addressed Mexican social, political, and economic issues.

He also did the first colored cement mural in Mexico. This etching is signed, numbered and dated in pencil.

La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
La Hamaca (The Hammock) Etching | Alfredo Zalce,{{product.type}}
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About The Artist: Alfredo Zalce

Alfredo Zalce was born January 12, 1908 in Patzcuaro, Michoacán, Mexico. His father and mother were both professional photographers. Zalce attended elementary and high school in Mexico City; during these years he also helped his parents develop film. He studied art (supporting himself as a photographer) at the Escuela Central de Artes Plásticas, which later was to be named the Escuela Nacional de Bellas Artes. At the age of 20 his...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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La Hamaca (The Hammock)

Alfredo Zalce

1947

Framed

La Hamaca (The Hammock)

Alfredo Zalce

1947

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