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A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
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A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}

A Charm Against All Evils

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Benjamin Benno

Benjamin Benno

Price on Request

American (1901–1980)

  • Date: 1941
  • Oil on canvas, signed and dated upper left
  • Size: 24 x 30 in. (60.96 x 76.2 cm)

Price on Request

Have a question about this artwork? Email us.

Have a question about this artwork? Email us.

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about A Charm Against All Evils

The full title, as written by the artist on the verso, reads "A charm against all evils and misfortunes, including ignorance and stupidity".

By the early 1930s he had established a reputation as a member of the international avant-garde and exhibited with the most significant European artists including Paul Klee, Max Ernst, Wassily Kandinsky, Salvador Dalí, Joan Miró, Hans Arp, and Fernand Léger. Pablo Picasso sponsored Benno’s first one-man show in Paris in 1934.

A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
A Charm Against All Evils Oil | Benjamin Benno,{{product.type}}
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About The Artist: Benjamin Benno

Born in 1901, Benjamin Greenstein Benno was regarded as an artistic prodigy from a young age. After living in Russia for a short time after the death of his mother in 1905, Benno and his father relocated to New York where he was quickly enrolled in the Ferrer Modern School at the young age of eleven. After studying for several years at the progressive school, Benno moved to Paris in 1926 but returned to New York only a few years later in 1931....

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About The Medium: Oil

Process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil.

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Please think of the trees and save to pdf not paper.
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