About the artist:

Carlo Albacini was an Italian sculptor and restorer of Ancient Roman sculpture. He was a pupil of Bartolomeo Cavaceppi, an eminent sculptor and restorer of Rome. Albacini was notable for his copies after classical originals such as the Farnese Hercules; his version of the Castor and Pollux at the Prado is now in the Hermitage Museum) or the Capitoline Flora from Hadrian's Villa, for the Grand Tourist market. Like Cavaceppi, he also restored classical sculptures, notably the Farnese marbles, which Albacini worked on in 1786-89, in preparation for their transfer to Naples under the direction of the German painter Hackert and Domenico Venuti. Some of his restorations were free, by modern standards: in the famous Farnese Aphrodite Kallipygos at Naples, the head, the exposed right breast, left arm and right leg below the knee are restorations by Albacini. Not restored in Rome before shipment to Naples, however, were the Farnese paired Tyrannicides restored as Gladiators.[6] Albacini was the principal restorer for Thomas Jenkins, whose pre-eminent client was Charles Townley; Townley's collection is at the British Museum. Townley introduced Albacini to Henry Blundell whose collection of Roman sculptures was magnificently displayed at Ince Blundell. In 1776 Blundell, considering that a fine modern copy was superior to a mediocre antiquity, commissioned from Albacini a copy of a colossal marble head of Lucius Verus; when the young Antonio Canova visited the workshops of Cavaceppi and of Albacini in 1779-80, he spoke to one of Albacini's garzonieri who said he had already spent fourteen months pointing up a copy of the Borghese bust of Lucius Verus and had five months of work still to do