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Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756) Etching | Pablo Picasso,{{product.type}}
Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756) Etching | Pablo Picasso,{{product.type}}
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Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756)

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Pablo Picasso

Pablo Picasso

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Spanish (1881–1973)

  • Date: 1968
  • Etching, signed and numbered in pencil
  • Edition of 21/50
  • Image Size: 7.5 x 12.5 inches
  • Size: 13 x 18 in. (33.02 x 45.72 cm)
  • Frame Size: 20 x 23 inches
  • Reference: Bloch 1756

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Framed

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about Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756)

Pablo Picasso's portrayal of an odalisque and a nude man is based on Orientalist works featuring fantasized depictions of harems found in Ottoman courts and palaces.

This etching from the 347 Series is hand-signed and numbered in pencil. The work is in excellent condition and beautifully framed. Reference: Bloch 1756

Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756) Etching | Pablo Picasso,{{product.type}}
Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756) Etching | Pablo Picasso,{{product.type}}
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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756)

Pablo Picasso

1968

Framed

Au Jardin: Odalisque en Pantoufles au Chapeau, avec des Fleurs, et Spectateur from the 347 Series (Bloch 1756)

Pablo Picasso

1968

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