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Nature Morte au Citron et a la Cruche

Name: Nature Morte Au Citron Et A La Cruche | Pablo Picasso
Brand: RoGallery
SKU: 84097

Pablo Picasso (After)

Pablo Picasso

$850

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Poster Collection
Date: of Original: 1936 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Image Size: 16.25 x 21 inches
Size: 21.75 x 28.5 in. (55.25 x 72.39 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Jackie Fine Arts in conjunction with Marina Picasso
Reference: J-149-K

$850

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Nature Morte au Citron et a la Cruche

Set on a reddish-brown table, this display of a platter with lemons and a floral-decorated vase is emblematic of Pablo Picasso’s Cubist work.

With dramatic shading and bold lines, this print features the artist’s classic techniques that allow him to forgo traditional perspective and instead employ his own invented perspective into his works like this. Lithograph with Estate-approved Picasso signature printed below image. It also has in typeset under image, ‘Collection Marina Picasso’ and the copyright info in typeset right of image. Accompanied by a Certificate of Authenticity.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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