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American (1934)
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Raymond Saunder’s painting is expressive, and often incorporates collage (mostly small bits of printed paper found in everyday life), chalked words (sometimes crossed out), and other elements that add references and texture without breaking the strong abstract compositional structure.
This lends a sense of social narrative to even his abstract work which sets it apart from artists like Robert Rauschenberg, Jim Dine, or Cy Twombly, with which is has obvious affinities. The print is signed and numbered in pencil.