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The Hundred Guilder Print Etching | Rembrandt,{{product.type}}

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The Hundred Guilder Print

Name: The Hundred Guilder Print | Rembrandt
Brand: RoGallery
SKU: 9236

Rembrandt (After by Amand Durand)

Rembrandt

$850

Dutch (1606–1669)

Date: Of original: circa 1643-1649
Etching
Image Size: 11 x 15.5 inches
Size: 20 x 26 in. (50.8 x 66.04 cm)
Printer: Amand Durand

$850

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

about The Hundred Guilder Print

An etching after art by Rembrandt van Rijn.

French Engraver and painter Charles Amand Durand, (1831-1905) is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt; It is by Amand that many of Rembrandt’s works were saved. He also restored plates by Albrecht Durer, Beham, and other various Old Masters from the 15th, 16th, and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt.

About The Artist: Rembrandt

Rembrandt Harmenszoon van Rijn, (15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age. Having achieved youthful success as a portrait painter, his later years were marked by personal tragedy and financial...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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