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The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
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The Tempered Portfolio

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William Fares

William Fares

$2,200

American (1942)

  • Date: 1979
  • Five Etchings in Folio, Each Signed and Numbered in Pencil
  • Edition of 4/35
  • Size: 21 x 27 in. (53.34 x 68.58 cm)

$2,200

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The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
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About The Artist: William Fares

William Fares was born in 1942 in Compton, California, USA. He studied at the San Francisco Art Institute starting in 1965, where he received his bachelor's and later master's degree in 1971. According to American critic Saul Ostrow, Fares belongs to a generation of artists from the 1970s in New York who sought ways to expand consciousness through abstraction. Fares has participated in group exhibitions, including the 1971 exhibition at the John...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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The Tempered Portfolio

William Fares

1979

The Tempered Portfolio

William Fares

1979

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