Elizabeth Osborne

American (1936)

About the artist:

Elizabeth Osborne is an American painter who lives and works in Philadelphia. Working primarily in oil paint and watercolor, her paintings are known to bridge ideas about formalist concerns, particularly luminosity with her explorations of nature, atmosphere and vistas. Beginning with figurative paintings in the 1960s and '70s, she moved on to bold, color drenched, landscapes and eventually abstractions that explore color spectrums. Her experimental assemblage paintings that incorporated objects began an inquiry into psychological content that she continued in a series of self-portraits and a long-running series of solitary female nudes and portraits. Osborne's later abstract paintings present a culmination of ideas—distilling her study of luminosity, the landscape, and light.

After graduating from the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania in 1959 for her undergraduate studies, Osborne was awarded a Fulbright Scholarship and traveled to Paris to study art. In 1963, she became the third woman to join the faculty at PAFA and for many years was the sole female faculty member. She retired from teaching at PAFA in 2011. In 2008, she was honored with a career survey exhibition at the museum of the Pennsylvania Academy of Fine Arts organized by curator Robert Cozzolino, bringing together works from all periods of her career and accompanied by a major monograph publication. Osborne currently lives and works in Philadelphia and is represented by Locks Gallery.

Her work is in numerous public collections including the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the McNay Art Museum, the Reading Art Museum, the Delaware Art Museum, the Woodmere Art Museum, and the Palmer Museum of Art. She is represented by Berry Campbell Gallery in New York City.

Elizabeth Osborne

American (1936)

(1 works)

About the artist:

Elizabeth Osborne is an American painter who lives and works in Philadelphia. Working primarily in oil paint and watercolor, her paintings are known to bridge ideas about formalist concerns, particularly luminosity with her explorations of nature,

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